Tag Archives: Advertising

Rethinking How Smart We Want Our Phones To Be – Nicholas Rossman, MEF

Once upon a time, a phone was just a phone. The exact when of that once-upon-a-time depends on how far back you travel between now and Alexander Graham Bell. For some, it’s when phones were chunks of Bakelite with rotary dials, while for others the cut-off point is when phones started to offer more than calls, text, and playing “snake”. Today, that’s what we’d call a basic phone. And it’s making a comeback.

Rethinking How Smart We Want Our Phones To Be
Rethinking How Smart We Want Our Phones To Be

Dumbing down

Pretty much every mobile phone available today falls into one of three categories: basic, feature and smart.

A basic phone is designed primarily for calling and texting, with very limited or no internet access and minimal extra functions. It usually has a small screen, physical keypad, and lacks apps or an advanced interface.

A feature phone falls between a basic and a smartphone; it often includes some multimedia functions like a basic camera, FM radio, Bluetooth, and sometimes limited internet access. While it may support some apps, it runs on a lightweight operating system and isn’t built for the kind of multitasking or app ecosystems that smartphones offer.

A smartphone can be your office, your library, your entertainment centre and your link to family and friends. It runs on advanced operating systems like Android or iOS and supports full internet access, multitasking, high-resolution touchscreens, downloadable apps from app stores, GPS, and a wide range of sensors and connectivity options. It essentially functions like a handheld computer and is central to modern digital life.

And a pushback against that modern digital life is partly behind a boost in basic sales.

While “dumb” phones represent a small slice of the overall handset market (around 2%), it is a trend mobile phone manufacturers have taken notice of and are responding to; minimalist or feature-free versions of many phones are being developed and promoted to younger generations, especially Gen Z adults (those born between 1997 and 2012).

Interestingly, older members of Gen Z were on the cusp of the transition from basic phones to smartphones, giving them a unique perspective on both types of devices.

And nostalgia does play a role.

The re-release of classic models like the Nokia 3210 in 2024 has tapped into a sense of longing for the past. These updated versions maintain iconic designs while incorporating modern features such as 4G connectivity and USB-C charging, appealing to both those who remember the originals and younger users drawn to retro aesthetics.

Health and safety

Many seek to reduce their screen time and disconnect from the constant smartphone barrage of notifications and social media updates. There is a growing body of research linking increased levels of anxiety, stress and depression to excessive smartphone use; many feel a “hypervigilance” is forced on them because of constant connectivity.

Social media apps have been associated with increased anxiety and depression – social comparison, fear of missing out (FOMO), and cyberbullying all play their part in pushing people away from a digital lifestyle. And parents are increasingly opting for basic phones for their children to limit exposure to social media and online content.

In addition to mental health concerns, mobile phone users are becoming increasing alarmed by potential security risks associated with smartphones. A 2022 Deloitte survey revealed that nearly 60% of respondents worry about their devices being vulnerable to security breaches and organisations tracking them through their devices. This distrust is further fuelled by the lack of transparency regarding data collection practices and the increasing complexity of mobile operating systems.

Impact on Mobile Entertainment Services

The return to basic phones inevitably limits access to mobile entertainment services a trade-off that sits at the heart of this trend.

Without app stores or constant connectivity, users are stepping away from on-demand video, social media feeds, and mobile gaming. For many, this is a deliberate move a way to disconnect from digital noise and regain focus.

But beyond the digital detox narrative, this shift could also reignite interest in the early formats of mobile entertainment. Just as the return to physical media (like vinyl records or Polaroid cameras) has found a nostalgic and passionate following, the revival of feature phones could mark the rise of a “vintage mobile entertainment” movement.

In this light, basic phone users may come to represent a new niche of digital consumers almost like the purists of mobile culture. People who value minimalism, intentional usage, and a stripped-back experience. This creates an interesting opportunity for content creators and service providers to revisit simpler formats: downloadable tones, static graphics, or even text-based games entertainment designed for accessibility, light data usage, and offline consumption.

Could this be the next micro-market in mobile a new segment of business shaped by nostalgia, simplicity, and purposeful tech use?

Impact on advertisers

The resurgence of basic phones could significantly reshape how advertisers operate, particularly by shifting the expectations and mechanics of engagement. The main challenge is the loss of data-rich environments that smartphones provide. With fewer users engaging via apps or the web, there’s reduced access to behavioural tracking, precise geolocation, and interactive ad formats like video or programmatic banners. This could erode the effectiveness of digital advertising campaigns. However, it also revives older formats such as SMS marketing. Brands might turn to simpler, more direct communication, which can feel more personal or urgent, especially in markets where basic phone usage is growing rapidly. These campaigns could see higher engagement due to their lower saturation and novelty in a world now dominated by digital noise.

Advertisers will need to rethink not only their platforms but their assumptions about user attention, availability, and intent. Those who adapt to offer meaningful engagement in low-tech contexts—rather than trying to recreate the smartphone experience—stand the best chance of staying relevant.

Summary

The resurgence of basic phones represents a significant trend in the mobile phone market, driven by a complex interplay of factors. This movement highlights a growing awareness of the need for a more balanced and intentional relationship with technology. As consumers seek greater control over their digital lives, basic phones offer a viable alternative, promoting mental well-being, privacy, and a more focused lifestyle.

ABOUT THE AUTHOR

Nicholas Rossman is a Programme Director at The Mobile Ecosystem Forum (MEF), a global trade body established in 2000 and headquartered in the UK with members across the world. As the voice of the mobile ecosystem, it focuses on cross-industry best practices, anti-fraud and monetisation. The Forum, which celebrates its 25th anniversary in 2025, provides its members with global and cross-sector platforms for networking, collaboration and advancing industry solutions.

Nicholas Rossman, MEF
Nicholas Rossman, MEF

Web: https://mobileecosystemforum.com/

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LinkedIn: https://www.linkedin.com/company/mobile-ecosystem-forum

Facebook: https://www.facebook.com/MobileEcosystemForum/

CineSys and Leostream Revolutionise Hybrid Work for Republic Creative Studios

In the ever-evolving world of creative production, staying ahead means adopting cutting-edge solutions to enhance productivity and flexibility. Republic Creative Studios, a Dallas-based collective specialising in production, editorial, and design, has partnered with CineSys and Leostream to enable seamless hybrid workflows for their team of editors, designers, and artists.

With a fully integrated tech infrastructure powered by Leostream’s Remote Desktop Access Platform, Republic is bridging the gap between on-premise and remote work, ensuring their teams have access to high-performance tools wherever they are.


Who is Republic?

Republic Creative Studios is a hub of innovation, housing three distinct creative units:

  • Republic Productions
  • Republic Editorial
  • Republic Design

Together, they deliver cutting-edge short-form advertising across TV, social platforms, and even physical spaces. Their notable clients include McDonald’s, Dr. Pepper, Converse, and Lenovo, with projects spanning photorealistic 3D designs, hand-drawn 2D animation, and full-scale VFX integration.

Republic’s projects often require intensive workloads like color grading, sound design, and finishing, making access to robust, high-performance computing resources essential.


CineSys and Leostream: The Perfect Match for Hybrid Work

To meet Republic’s demanding needs, CineSys—a leader in broadcast and media systems integration—designed a bespoke system powered by Leostream’s Remote Desktop Access Platform. This solution allows Republic’s team to:

  • Effortlessly switch between on-site and remote work.
  • Access both on-premise and cloud-based workstations securely.
  • Maintain consistent desktop environments, ensuring smooth workflows.

Leostream’s platform integrates seamlessly with high-performance display protocols like Mechdyne TGX and PCoIP, ensuring low-latency, high-resolution access to even the most demanding production environments, including 4K video editing and complex VFX tasks.


Key Benefits for Republic

  1. Seamless Hybrid Workflows
    Leostream’s platform enables editors and designers to start projects in the office and continue remotely without interruptions, fostering greater flexibility and creativity.
  2. Enhanced Productivity
    The system’s persistent connections and intuitive design eliminate the need for clunky VPNs, letting Republic’s team focus on creating, not troubleshooting.
  3. Quick Implementation
    With the technical expertise of CineSys, the system was implemented rapidly, avoiding downtime and ensuring a smooth transition to the hybrid model.
  4. Secure Remote Access
    Built on zero-trust principles, the Leostream platform ensures strict authentication and secure resource allocation, safeguarding Republic’s sensitive projects.

Republic’s Verdict

According to Jason Vigue, Senior Motion Graphics/VFX Artist at Republic:

“Leostream offers an ideal enterprise-class system tailored to our hybrid work environment. It centralises our resources to give us secure remote access to creative tools, so our editors and designers are more productive.”


Why This Matters

In today’s fast-paced creative industries, blending art and technology is essential. With Leostream and CineSys, Republic has embraced a hybrid model that combines cutting-edge technology with flexibility, setting a new standard for production studios worldwide.

As Karen Gondoly, CEO of Leostream, highlights:

“Modern content pairs art and technology in new and effective ways, and we’re proud to support studios like Republic in their creative journeys.”


About the Partners

Leostream: A global leader in remote desktop solutions, Leostream has over 20 years of expertise in enabling secure, high-performance remote work environments.

CineSys: A North American broadcast and media systems integrator specialising in accelerating workflows and strengthening infrastructures for industries ranging from media to government.


Republic’s story is a testament to how the right technology can empower creative teams to push boundaries while staying connected, no matter where they work.

What are your thoughts on this hybrid approach? Share your comments below!

Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem

The countdown is on! Entries are closing soon for the 20th Annual MEFFYS Awards, the most prestigious event in the mobile ecosystem. Often referred to as the ‘Oscars of the Mobile Ecosystem’, the MEFFYS celebrates the cutting-edge innovation, creativity, and ingenuity that have shaped the mobile industry over the past year.


What Are the MEFFYS Awards?

Hosted by the Mobile Ecosystem Forum (MEF), the MEFFYS Awards are a chance to spotlight the groundbreaking work happening across MEF’s core ecosystems. Whether you’re part of a start-up, a global enterprise, or an individual innovator, this is your opportunity to be recognised as a leader in telecoms and mobile innovation.

The MEFFYS 2025 features nine categories designed to celebrate all corners of the mobile ecosystem:

  • Content and Advertising: For creativity and innovation in mobile content.
  • Payments & Commerce: Transforming digital transactions with groundbreaking solutions.
  • ID & Data: Pioneering identity management and data solutions.
  • Connectivity & Wholesale: Driving seamless global connectivity.
  • Messaging Channels: Revolutionising how we communicate.
  • Omnichannel Customer Experience: Delivering cohesive and impactful customer journeys.
  • Mobile Evolution: Pushing the boundaries of mobile technology.
  • Antifraud: Protecting users and businesses with innovative solutions.
  • ESG: Recognising contributions to sustainability and governance.

Additionally, the MEFFYS Special Award will honour an individual’s Personal Contribution to the Mobile Ecosystem, a highlight of the ceremony every year.


Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem
Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem

The MEFFYS Awards Ceremony

This year’s awards ceremony will be held on Monday, 3rd March 2025, in Barcelona, coinciding with MWC week. The event promises to be a glamorous black-tie affair, complete with red carpet, fine dining, entertainment, and plenty of networking opportunities.

But it’s not just about celebrating the winners—it’s also a chance to take the pulse of the latest trends, innovations, and ideas driving the mobile ecosystem. With surprises planned for the evening, it’s sure to be a night to remember!


Key Dates and How to Enter

  • Nomination Deadline: 15th January 2025
  • Voting Closes: 17th February 2025
  • Winners Announced: 3rd March 2025

Nominations are open to everyone, but only MEF Members and MEF Minute Subscribers can vote. Submissions can span multiple categories, but each entry must represent a unique product, service, or use case.

Think your innovation deserves the spotlight? Nominate now: MEFFYS Awards Nominations.


Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem
Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem

Why the MEFFYS Matter

Since its inception in 2000, the Mobile Ecosystem Forum has championed innovation, best practices, and solutions that drive inclusion, sustainability, and trusted services across the mobile landscape. The MEFFYS Awards are an extension of this mission, showcasing the transformative power of mobile technology to enrich lives and accelerate industry growth.

From anti-fraud measures to sustainability projects, the MEFFYS spotlight the ideas and people shaping the future of mobile technology. With 20 years of history, these awards have become a benchmark of excellence in the industry.


Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem
Last Chance to Enter the 20th Annual MEFFYS Awards – The ‘Oscars’ of the Mobile Ecosystem

Don’t Miss Out

If you’re part of the mobile ecosystem and have been driving innovation, this is your moment to shine. Whether you’re advancing connectivity, redefining customer experiences, or championing sustainability, the MEFFYS are the platform to showcase your achievements.

The clock is ticking—submit your nomination today: Nominate for the MEFFYS Awards.


Are you planning to attend the MEFFYS in Barcelona, or have you submitted an entry? Let us know your thoughts in the comments below or share your favourite moments from past MEFFYS ceremonies!

YouTube dumps monetisation of video for millions of creators

I’ve just received an email from YouTube. It informs me and millions of others, that we are being dumped from their advertising program. This apparently is to stop ‘spammers, impersonators and other “bad actors”‘ from making money from their ‘eco-system’.

**UPDATE** 21 Feb 2018

YouTube have emailed again today to confirm the cessation of advertising revenue. The rollout of these changes was documented by Ken Heron on his YouTube channel where advertising was removed from his videos according to his dashboard. Ken meets with YouTube’s new rules and should in fact continue to receive monetisation.

Ken Heron’s YouTube video relating to this change is below

https://www.youtube.com/watch?v=IXUMv_9b8HQ

YouTube’s most recent letter confirming removal of monetisation is below. Whilst my Youtube video’s are in no way Studio Quality, they are not SpammyImpersonating anyone or re-uploading video (unless where permission is giving such as SpaceX).

YouTube Confirms Removal of Monetisation
YouTube Confirms Removal of Monetisation

In reality, they are removing the ability for non-professionals to make any kind of money from their advertising platform (I can tell you it is a very small amount).

Big Hitters such as MKBHD and Casey Neistat will continue to reap the rewards of monetisation
Big Hitters such as MKBHD and Casey Neistat will continue to reap the rewards of monetisation leaving the less fortunate ‘potless’.

Simply put, people such as Casey Neistat, Marques Brownlee (MKBHD) and other extremely successful ‘YouTubers’ will continue to rake in millions in advertising revenue, whilst the less fortunate will lose all forms of income from this platform.

Whilst there is nothing wrong with being paid for high quality content, successful YouTube creators also earn massive amounts of revenue from advertising and affiliate links. Basically they continue to get the best of all worlds, whilst the less fortunate get completely cut off.

The Gadget Man YouTube Channel
The Gadget Man YouTube Channel

In all honesty my videos on YouTube make a pittance through advertising, however I also have a Patreon channel. This is a 3rd party channel which many YouTubers current use to make a sensible living through their hard work. If you feel somewhat inclined to support The Gadget Man site and Youtube channel, you can use Patreon to do this. Not only will this help encourage me to produce more content, it will also help towards buying better equipment to produce content.

YouTube is owned by Google who’s corporate code of conduct is Don’t Be Evil.

With this in mind, I would appreciate your support by subscribing to my Patreon channel for as little at $2 per month https://www.patreon.com/bePatron?c=335884

Statement from YouTube 17/01/2018

“2017 marked a tough year for many of you, with several issues affecting our community and the revenue earned from advertising through the YouTube Partner Program (YPP). Despite those issues more creators than ever are earning a living on YouTube, with the number of channels making over six figures up over 40% year-over-year. In 2018, a major focus for everyone at YouTube is protecting our creator ecosystem and ensuring your revenue is more stable.

As Susan mentioned in December, we’re making changes to address the issues that affected our community in 2017 so we can prevent bad actors from harming the inspiring and original creators around the world who make their living on YouTube. A big part of that effort will be strengthening our requirements for monetization so spammers, impersonators, and other bad actors can’t hurt our ecosystem or take advantage of you, while continuing to reward those who make our platform great.

Back in April of 2017, we set a YPP eligibility requirement of 10,000 lifetime views. While that threshold provided more information to determine whether a channel followed our community guidelines and policies, it’s been clear over the last few months that we need a higher standard.

Starting today we’re changing the eligibility requirement for monetization to 4,000 hours of watchtime within the past 12 months and 1,000 subscribers. We’ve arrived at these new thresholds after thorough analysis and conversations with creators like you. They will allow us to significantly improve our ability to identify creators who contribute positively to the community and help drive more ad revenue to them (and away from bad actors). These higher standards will also help us prevent potentially inappropriate videos from monetizing which can hurt revenue for everyone.

On February 20th, 2018, we’ll also implement this threshold across existing channels on the platform, to allow for a 30 day grace period. On that date, channels with fewer than 1,000 subs or 4,000 watch hours will no longer be able to earn money on YouTube. When they reach 1,000 subs and 4,000 watch hours they will be automatically re-evaluated under strict criteria to ensure they comply with our policies. New channels will need to apply, and their application will be evaluated when they hit these milestones.

Though these changes will affect a significant number of channels, 99% of those affected were making less than $100 per year in the last year, with 90% earning less than $2.50 in the last month. Any of the channels who no longer meet this threshold will be paid what they’ve already earned based on our AdSense policies. After thoughtful consideration, we believe these are necessary compromises to protect our community.

Of course, size alone is not enough to determine whether a channel is suitable for monetization, so we’ll continue to use signals like community strikes, spam, and other abuse flags to ensure we’re protecting our creator community from bad actors. As we continue to protect our platform from abuse, we want to remind all of you to follow YouTube’s Community GuidelinesMonetization Basics & PoliciesTerms of Service, and Google AdSense program policies, as violating any of these may lead to removal from the YouTube Partner Program.

While this change will tackle the potential abuse of a large but disparate group of smaller channels, we also know that the bad action of a single, large channel can also have an impact on the community and how advertisers view YouTube. We’ll be working to schedule conversations with our creators in the months ahead so we can hear your thoughts and ideas and what more we can do to tackle that challenge.

One of YouTube’s core values is to provide anyone the opportunity to earn money from a thriving channel, and while our policies will evolve over time, our commitment to that value remains. Those of you who want more details around this change, or haven’t yet reached this new 4,000 hour/1,000 subscriber threshold can continue to benefit from our Creator Academy, our Help Center, and all the resources on the Creator Site to grow your channels.

Even though 2017 was a challenging year, thanks to creators like you, it was full of the moments that make YouTube such a special place. Creators large and small, established and emerging, transformed their talent and originality into videos that captivated over a billion people around the world. They made us laughtaught us about our world and warmed our hearts. We’re confident the steps we’re taking today will help protect and grow our inspiring community well into the future.

Neal Mohan, Chief Product Officer and Robert Kyncl, Chief Business Officer”