I’ve been told on numerous occasions that I have an ‘eclectic’ taste in music, so when I was invited by Elene Marsden to be a guest on her ‘Time Capsule’ show on ICR FM, I put on my thinking cap! What music would I like to place in a time capsule as a gift to people of the future? One of the BIGGEST tracks in the four I have selected has never been far away from my playlist. Cafe Del Mar by Energy 52 is an absolutely stonking tune and the ‘Original Three’n One’ mix is particularly amazing. The ‘Michael Woods Ambient Mix’ of the track was used our my wedding to my wife Vanessa whilst we signed the register, so it has particular importance.
My second track, Two Tribes by Frankie Goes To Hollywood was massively important in my early teens when the threat of global nuclear annihilation seemed to loom over humanity. The track bluntly sums up the feeling of gloom that pervaded at the time. The band played a big part of my life and due to the power of the internet, I’m now friends with members of the band. If you get a chance look up former FGTH lead guitarist Nasher on your streaming services, he producing some amazing material which deserves to be heard!
This brings me on to track three, by the German group Propaganda, a band I became aware of as they shared labels with Frankie in the early 80’s. Duel was a fabulous pop track on at A side which juxtaposed with the much rawer Jewel on the B side. Although perhaps less radio friendly, Jewel went on to be the soundtrack to WRC Rally programs in the 80’s, it’s driving bassline and hammering drums working perfectly. The version of the track I chose was however called ‘Bejewelled’, a intermingle of both A and B sides of the single package on the Cassingle release name ‘Do Well’ (It’s exhausting trying to explain it!). It’s a great track and gives the best of both worlds.
The final track of the four is of course My Way, but rather than crooned by Frank Sinatra, instead it is nothing short of destroyed by the late Sid Vicious of the Sex Pistols. Many would argue that he murders the song and does it little justice. I would argue that this moment of genius summed up the feelings of the late 70’s where music had ground to a halt with super groups wading through 25 minutes of guitar solos and at the same time, disco was self combusting on itself and leaving a void to be filled by culture of very angry young people who felt disconnected by society and were going no where. Although by the time of recording, the Pistols were no longer really fighting for the jilted generation and apparently ‘flogging a dead horse’, the track starts gloomy and pitifully sung, but suddenly bursts out of itself and plants Sid Vicious as a cultural legend. My reasons for picking this song, is simply that I have always wanted to do things ‘my way’, but in a rebellious way, so who better to convey that but this song.
Don’t forget to listen in to Elene’s show using the link below (or at the top of the page). Thanks for inviting me on the show Elene!